Coldplay's seven-day reign at the top of the US singles chart has been ended by popstar Katy Perry.
Perry, a 23-year-old singer-songwriter from California, scores her first No.1 with 'I Kissed A Girl', while Coldplay's 'Viva La Vida' tumbles to sixth position.
Coldplay are one of three British acts in the top six this week, with Leona Lewis's 'Bleeding Love' climbing to three and Natasha Bedingfield's 'Pocketful of Sunshine' rising to a new peak of five.
Meanwhile, the Pussycat Dolls leap from 18 to nine with 'When I Grow Up' to score their fourth US top ten hit.
The top ten singles in full (click for our reviews):
1. (2) Katy Perry: 'I Kissed A Girl'
2. (3) Lil Wayne ft. Static Major: 'Lollipop'
3. (4) Leona Lewis: 'Bleeding Love'
4. (5) Rihanna: 'Take A Bow'
5. (6) Natasha Bedingfield: 'Pocketful Of Sunshine'
6. (1) Coldplay: 'Viva La Vida'
7. (8) Chris Brown: 'Forever'
8. (11) Plies ft. Ne-Yo: 'Bust It Baby Part 2'
9. (18) Pussycat Dolls: 'When I Grow Up'
10. (70) Miley Cyrus: '7 Things'
See Also
Monday, 30 June 2008
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Sunday, 22 June 2008
Geri Halliwell - The Things They Say 8143
"I'm a single parent mother. I'm a statistic. I'm like half of Britain." GERI HALLIWELL insists she is just a regular single mum.
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Saturday, 21 June 2008
Audiopain
Artist: Audiopain
Genre(s):
Metal: Thrash
Discography:
The Traumatizer
Year: 2004
Tracks: 6
Norway's competently named Audiopain evolved from an originally, more than eclectic musical venture founded in 1996 by deep members Sverre (vocals/guitar), Petter (bass), and Bjarne (drums), but as of the twelvemonth 2000, was specializing near alone in ultra-crusty proto-thrash metal. They've as well remained stanchly independent while releasing a inflexible chain of EPs, including 2000's Contagious and 1986, 2002's Revel in Desecration, and 2004's The Traumatizer.
Lords of the Underground
Artist: Lords of the Underground
Genre(s):
Rap: Hip-Hop
Discography:
House of Lords
Year: 2007
Tracks: 16
Resurrection
Year: 1999
Tracks: 17
Keepers of the Funk
Year: 1994
Tracks: 13
Here comes the Lords
Year:
Tracks: 15
Though their list power entail violent gangsta tap, Lords of the Underground equal socially witting raps with high-pressure beats. Newark, NJ's Doitall and Mr. Funke met Cleveland-native DJ Lord Jazz at Shaw University in North Carolina; since the deuce were looking for a DJ, they dependent up with Jazz. A friend of Doitall's introduced the group to fabled producer Marley Marl, world Health Organization invited them to criminal record at his studio with help from K-Def. Before their debut album (Here Come the Lords) even appeared, the Lords placed trey hit singles ("Psychotic person," "Funky Child," "Foreman Rocka") on the rap charts. By the goal of 1993, the Lords had received an award from BET as best rap grouping of the year. Keepers of the Funk, released in 1994, failed to keep the momentum leaving, and in that location was a five-year waitress earlier third album Resurrection dropped in 1999.
Acid Rain
Artist: Acid Rain
Genre(s):
Metal: Progressive
Discography:
Infinity Beyond
Year: 2003
Tracks: 12
Informatik
The Outfield
Artist: The Outfield
Genre(s):
Other
Discography:
Big Innings: Best of
Year: 1996
Tracks: 16
Bangin'
Year: 1987
Tracks: 10
Diamond Days
Year:
Tracks: 10
Beat Happening
Artist: Beat Happening
Genre(s):
Indie
Discography:
Music To Climb The Apple Tree By
Year: 2003
Tracks: 15
Dreamy
Year: 1991
Tracks: 10
Jamboree
Year: 1988
Tracks: 11
Beat Happening
Year: 1985
Tracks: 24
Beat Happening was among the truly seminal and influential American bands of the post-punk earned run average, a nonpareil of pop minimalism, rebellious whiteness, and indie defiance. The anchor of the Olympia, WA-based International Pop Underground, they adopted a posture in direct resistance to the accepted norms at the eye of rock music; ignoring all notions of dissembling, professionalism, and stardom, Beat Happening created an irregular, raw sound which democratically revolved vocal, guitar, and tympan duties between members patch jettisoning sea bass altogether. Dropping their last names to further stress their everyman approach, members Calvin (Johnson), Heather (Lewis), and Bret (Lunsford) expressed unsubdivided truths and uncomplicated emotions with simple music, favoring off-key, tuneless vocals and three-chord primitivism over slick, refined packaging; inexplicit in their put to work was likewise a rejection of major-label trappings, as the group steadfastly remained with K Records, Calvin's self-owned imprint and a poser of D.I.Y. indie success.
Stick Happening formed in the early '80s; Calvin, a longtime fixture of the Olympia setting wHO also helped found the original Sub Pop fanzine (the basis for the subsequent mark), had already founded K, to begin with a cassette-only project started to release music no other caller would touch. An graduate of the fugacious Cool Rays, Calvin teamed with Heather and motley friends in the low incarnation of Beat Happening, acting shows whenever and wheresoever they could as long as the performances were held at all-ages venues; his canyon-deep barytone quickly became as much a group hallmark as their sardonic, even juvenile songs. After Bret joined in mid-1983, Beat Happening issued their debut five-song cassette a year by and by; a rubber-necking trip to Japan followed, and while in Tokyo, the trio recorded its minute attempt, 1984's Three Tea Breakfast EP. Their 1985 eponymous uncut debut, produced by the Wipers' Greg Sage, brought Beat Happening their showtime widespread exposure, as well as a number of comparisons to the burgeoning British prim pop scene spearheaded by the Pastels. A long layoff followed prior to the discharge of 1988's remarkable Jamboree, co-produced by Mark Lanegan and Gary Lee Conner of the Screaming Trees.
The four-song juncture departure Stick Happening/Screaming Trees surfaced a few months later, trailed by 1989's Black Candy. With the release of 1991's Languorous, Beat Happening's influence on the indie community became increasingly pronounced; not exclusively did the florescence cuddle-core movement owe the tercet a vast debt, simply in the summer 1991 Calvin masterminded the International Pop Underground Festival, a now-legendary concert spotlighting over 50 bands -- among them Bikini Kill, Fugazi, Scrawl, the Fastbacks, L7, and Mecca Normal -- all aligned in their opposition to corporate music. The high-minded You Turn Me On followed, just apart from "Not a Care in the World," a rail contributed to a 1992 Sub Pop sampler given by relieve to readers of Sassy cartridge, Beat Happening played out a lot of the decennary in limbo as Calvin focussed on his Dub Narcotic Sound System project as well as the Halo Benders, a band founded with Built to Spill's Doug Martsch. Despite its absence seizure from the stage and the studio, the triad maintained that it had not disbanded, and reportedly continued practicing on a monthly ground. Ten age subsequently its last dismission, the striation became the improbable focussing of a box set, Bloody Through.
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